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		<title>Danish String Quartet Makes Carnegie Hall Debut</title>
		<link>https://hollandude.com/danish-string-quartet-makes-carnegie-hall-debut/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=danish-string-quartet-makes-carnegie-hall-debut</link>
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		<dc:creator><![CDATA[Eric Holland]]></dc:creator>
		<pubDate>Mon, 07 Nov 2016 13:37:52 +0000</pubDate>
				<category><![CDATA[Classical]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Live Music]]></category>
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		<category><![CDATA[Danish String Quartet]]></category>
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					<description><![CDATA[Danish String Quartet Makes Carnegie Hall Debut; At Zankel Hall on 10-26-16 Almost twenty years ago, three thirteen (or maybe fourteen) year old musicians became friends and began to play together. &#160;A professor (who is still a mentor) Tim Frederiksen at the Royal Academy of Music in Copenhagen took interest in them a year or [&#8230;]]]></description>
										<content:encoded><![CDATA[<div style='display:none;' class='shareaholic-canvas' data-app='share_buttons' data-title='Danish String Quartet Makes Carnegie Hall Debut' data-link='https://hollandude.com/danish-string-quartet-makes-carnegie-hall-debut/' data-app-id-name='category_above_content'></div><p>Danish String Quartet Makes Carnegie Hall Debut; At Zankel Hall on 10-26-16</p>
<p>Almost twenty years ago, three thirteen (or maybe fourteen) year old musicians became friends and began to play together. &nbsp;A professor (who is still a mentor) Tim Frederiksen at the Royal Academy of Music in Copenhagen took interest in them a year or two after that and they became a proper group. &nbsp;These three who are&nbsp;increasingly known around the world as members of the Danish String Quartet are: Rune Tonsgaard Sorensen on violin, Frederik Oland on violin, and Asbjorn Norgaard on viola. &nbsp;The fourth member of the group is actually a Norwegian. &nbsp;He is Fredrik Schoyen Sjolin on violincello who joined the group about a decade into its existence in 2008.</p>
<p>I met them on the afternoon of their performance for a chat in the venue&#8217;s research room. &nbsp;Although they had already had a number of New York City gigs under their belt including ones at Lincoln Center, they were thrilled to be&nbsp;at&nbsp;Carnegie Hall so it was a great moment to document. &nbsp;<a href="http://danishquartet.com/" target="_blank" rel="noopener noreferrer">The DSQ </a>spoke about how the two compositions that would make up the evening&#8217;s program were written late in the composers&#8217; lives; both practically on their death beds. &nbsp;Shostakovich&#8217;s last quartet, his No. 15 in E-Flat Minor as well as Schubert&#8217;s last quartet in C Major have a sense of mortality to them but both, as the gentlemen pointed out, contain light that complements and deepens the meaning of their dark elements. &nbsp;The former is what they were playing when the on-stage video was being shot and on the latter they were joined by cellist Torleif Thedeen.</p>
<p>In contrast to the lasts of the concert, the DSQ tackled three firsts on their recent album in the ECM New series representing three living composers of different generations. &nbsp;Two works by fellow Danes: Per Norgard (1932) and Hans Abrahamsen (1952) and, one by Thosmas Ades (1971) from England. &nbsp;</p>
<p>The Danish String Quartet, <a href="http://www.nytimes.com/2016/10/23/arts/music/danish-string-quartet-has-a-line-of-craft-beer.html" target="_blank" rel="noopener noreferrer">you should know</a>, enjoy a good beer. &nbsp;The&nbsp;only disappointment of the encounter was my inability to secure any of the pale ale the group introduced at the first in their Series of Four <a href="http://seriesoffour.dk/event/english/" target="_blank" rel="noopener noreferrer">concerts in Copenhagen </a>last month!&nbsp;</p>
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