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	<title>Henry Diltz Archives - Hollandude</title>
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	<title>Henry Diltz Archives - Hollandude</title>
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		<title>Music Photography at Its Finest</title>
		<link>https://hollandude.com/music-photography-at-its-finest/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=music-photography-at-its-finest</link>
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		<dc:creator><![CDATA[Eric Holland]]></dc:creator>
		<pubDate>Tue, 03 Nov 2015 18:21:46 +0000</pubDate>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Exhibits]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Sound Advice]]></category>
		<category><![CDATA[Graham Nash]]></category>
		<category><![CDATA[Henry Diltz]]></category>
		<category><![CDATA[Joel Bernstein]]></category>
		<guid isPermaLink="false">http://hollandude.com/?p=5075</guid>

					<description><![CDATA[Henry Diltz shot pictures at Woodstock and Monterey Pop. &#160;The folk musician &#38; photographer shot Crosby, Stills, Nash &#38; Young, Jimi Hendrix, and The Doors. &#160;He described Jim Morrison as quiet, laid-back, and cool &#8211; not much like how Val Kilmer portrayed him in the 1991 Doors movie directed by Oliver Stone. Joel Bernstein&#8216;s photography [&#8230;]]]></description>
										<content:encoded><![CDATA[<div style='display:none;' class='shareaholic-canvas' data-app='share_buttons' data-title='Music Photography at Its Finest' data-link='https://hollandude.com/music-photography-at-its-finest/' data-app-id-name='category_above_content'></div><p><a href="http://www.henrydiltz.com/" target="_blank" rel="noopener noreferrer">Henry Diltz</a> shot pictures at Woodstock and Monterey Pop. &nbsp;The folk musician &amp; photographer shot Crosby, Stills, Nash &amp; Young, Jimi Hendrix, and The Doors. &nbsp;He described Jim Morrison as quiet, laid-back, and cool &#8211; not much like how Val Kilmer portrayed him in the 1991 Doors movie directed by Oliver Stone.</p>
<p><a href="http://www.joelbernstein.com/" target="_blank" rel="noopener noreferrer">Joel Bernstein</a>&#8216;s photography of Joni Mitchell, Bruce Springsteen, Bob Dylan, and Tom Petty makes him one of the few people who are on a par with Diltz in the world of music photography. &nbsp;Among other remarkable experiences, he was the guitar tech at The Band&#8217;s <em>The Last Waltz</em> concert and worked with Prince both in the studio and on tour.</p>
<p><a href="http://www.grahamnash.com/" target="_blank" rel="noopener noreferrer">Graham Nash</a> has been in front of &nbsp;both Diltz and Bernstein&#8217;s cameras and is friends with both men. &nbsp;He described fondly his first meeting with Bernstein at Joni Mitchell&#8217;s Carnegie Hall show in 1969 in the early days of his role as her official photographer. &nbsp;Nash&nbsp;is also a highly acclaimed photographer in his own right. &nbsp;The night after Nash presented Diltz with the 2015 Lucie award for Achievement&nbsp;in Music photography, these three men gathered at the Roxy Hotel in Tribeca (on October 28, 2015) to display their work and tell some stories. &nbsp;And man, do they have some stories! &nbsp;When I spoke with them, they agreed that trying to plan and create photographs is generally a fool&#8217;s mission. &nbsp;They&#8217;re all about capturing moments, not manufacturing them&#8230;</p>
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